Ray Harryhausen is one of the best people in the world. I think that’s a fairly safe statement. Not only did he bring some of the most fantastical films of the twentieth century into being, but he’s been a dramatic influence on almost every other filmmaker who uses special effects. I’ve loved Clash of the Titans, Jason and The Argonauts and the Sinbad films for as long as I can remember. The intricate stop-motion process, matteing into the live action and the beautiful models all added something special to those films. Ray Harryhausen, Special Effects Titan is a huge understatement (that might be an overstatement).
The documentary consists of a series of interviews with Ray and many current directors and special effects technical folks (including Spielberg, Cameron, Nick Parks and tonnes of others) roughly following the chronology of the films and his earlier work. If you’re already into Harryhausen, you probably won’t learn much but there are many clips from the films and we see lots of the original models (and the attempts being made to preserve Ray’s extensive legacy).
It feels very much like a TV documentary or a student film. If I didn’t care about the subject I wouldn’t have been satisfied by the tacked together clips from other interviews and dodgy production values. I guess that’s fitting in some respects – most of Ray’s films are not great films, and certainly wouldn’t be remembered were it not for the incredible life he injected into those animated characters. It’s a shame they aren’t better scripted and acted.
Perhaps the most satisfying things in the documentary are the directors fawning over Ray and pouring out their effusive praise. I most enjoyed James Cameron (maker of the awful Avatar – a film only rescued by its remarkable special effects) declaring that Ray would absolutely definitely be using CGI if he was making films today, followed by a clip of Ray saying he would always rather use models, even today. There’s also some lovely footage of Ray’s birthday party and award ceremonies. I enjoyed it, but then I was always going to. It’s a fine complement to the (amazing) coffee table book Ray Harryhausen: An Animated Life and Ray Harryhausen: The Early Years DVD.
Before the documentary, Broadway Cinema also showed Jason and The Argonauts, which is probably Ray’s best film overall. Due to a scheduling conflict we had to watch it at home the day before (still awesome). It follows the mythical tale of Jason fulfilling the prophecy that a man with one sandal shall come and kill the king of Thessaly because the king killed his mum, and off he goes to get the Golden Fleece. Splendid fun.
It features possibly the greatest ever battle with skeletons, Neptune and the clashing cliffs, Talos the big bronze dude, an unusually good script and a Hercules with magnificent hair. If you haven’t seen it then you will definitely have seen it endlessly ripped off since 1963 (in homages, as they like to call them). My favourite thing about it is the lovely cloudy overlays that Olympus has when we’re following the surprisingly affable gods’ interest in mortal affairs. It’s also notable for utterly failing to resolve the plot as the film simply ends a nice romantic hug and Zeus saying he’s got other stuff for Jason to do; he never does go back and kill the king. No one seems to care about this except me.
[youtube http://www.youtube.com/watch?v=Fe1fkryhvlk&w=560&h=315]
Related articles
- Ray Harryhausen (oldguygaming.com)
- Classic Monster Movies – Which is the Best? (costumesupercenter.com)




On Friday we returned to a favourite venue –
I sat in silence. The watch, that horrible grisly thing that would not leave me, pursued me through the house, lay on the arm of the Chesterfield. Its vile anatomy seemed as if it were a broken spur of wrist protruding from the deep red flesh of the upholstered chair. Though it did not tick conventionally, as a clock of man might, I felt its uncanny hands pound through my pulse and the fabric of the house. I sat in silence. Around me the walls thrummed with dark animation. Shudders ran through the wallpaper, lifting the flowery relief images in waves of menacing faces.






















These weeks are vanishing at a terrifying rate, and yet have that strange endless quality to them too. It’s confusing. The week before last, which was filled with splendid improv shows and wonders now feels like it was months and months ago. I blame work. And relativity. Frankly I’m exhausted, despite last week only being a four day effort. There should be a limit to how much frustration, bad communication and failures in decision making can be fitted into a single week. The organisation I work for has an unlimited ability to fail itself and its employees. Good skillz.

As you may have noticed dear reader I’ve been moaning about work a lot lately. Sorry about that. It’s the usual problem that work gets in the way of real life and that always pisses me off. When it takes up even more than its allotted 37 hours per week (plus travel time) that really does grab my goat and punch it in the gander. There’s been a slight lull (the consequence of actually being listened to for once [moan moan moan]) and so I got to take some emergency time off before I went insane.







































City of Screams had been in my stack for a little while and was awaiting a suitable young adult slot. I found it between giant space operas when I wanted a bit of light relief – something short and still sci-fi-ish (a word that is easier to say than type) and not too long. This was perfect. At first I thought I was reading a blend of
I have very little memory of last week. Curious. Ho hum, I assume it must have either been very busy (which I doubt), or oddly empty. Ah! That’s it, I spent most of the week data cleansing, which is exactly as close to spiritual termination as it sounds. Sigh. Never mind, my mind will return to me (I hope) and all life will continue in its usual chain of accidents and embarrassments.


Maybe it’s just the time of year – the darkness hasn’t yet left us, and the promise of summer and light is still just that, a promise that may never be fulfilled – and I find myself struggling still. I know my Dad often puts the gloominess of this part of the year down to SAD-like symptoms, as do quite a few other people I know. I’m not sure; I’m usually happiest inside anyway, I have no particular love of being outside; I’m an indoor bunny.

