Film Review: Ray Harryhausen Special Effects Titan & Jason and The Argonauts

special effects titan

Ray Harryhausen is one of the best people in the world. I think that’s a fairly safe statement. Not only did he bring some of the most fantastical films of the twentieth century into being, but he’s been a dramatic influence on almost every other filmmaker who uses special effects. I’ve loved Clash of the Titans, Jason and The Argonauts and the Sinbad films for as long as I can remember. The intricate stop-motion process, matteing into the live action and the beautiful models all added something special to those films. Ray Harryhausen, Special Effects Titan is a huge understatement (that might be an overstatement).
The documentary consists of a series of interviews with Ray and many current directors and special effects technical folks (including Spielberg, Cameron, Nick Parks and tonnes of others) roughly following the chronology of the films and his earlier work. If you’re already into Harryhausen, you probably won’t learn much but there are many clips from the films and we see lots of the original models (and the attempts being made to preserve Ray’s extensive legacy).
It feels very much like a TV documentary or a student film. If I didn’t care about the subject I wouldn’t have been satisfied by the tacked together clips from other interviews and dodgy production values. I guess that’s fitting in some respects – most of Ray’s films are not great films, and certainly wouldn’t be remembered were it not for the incredible life he injected into those animated characters. It’s a shame they aren’t better scripted and acted.
Perhaps the most satisfying things in the documentary are the directors fawning over Ray and pouring out their effusive praise. I most enjoyed James Cameron (maker of the awful Avatar – a film only rescued by its remarkable special effects) declaring that Ray would absolutely definitely be using CGI if he was making films today, followed by a clip of Ray saying he would always rather use models, even today. There’s also some lovely footage of Ray’s birthday party and award ceremonies. I enjoyed it, but then I was always going to. It’s a fine complement to the (amazing) coffee table book Ray Harryhausen: An Animated Life and Ray Harryhausen: The Early Years DVD.
Before the documentary, Broadway Cinema also showed Jason and The Argonauts, which is probably Ray’s best film overall. Due to a scheduling conflict we had to watch it at home the day before (still awesome). It follows the mythical tale of Jason fulfilling the prophecy that a man with one sandal shall come and kill the king of Thessaly because the king killed his mum, and off he goes to get the Golden Fleece. Splendid fun.
It features possibly the greatest ever battle with skeletons, Neptune and the clashing cliffs, Talos the big bronze dude, an unusually good script and a Hercules with magnificent hair. If you haven’t seen it then you will definitely have seen it endlessly ripped off since 1963 (in homages, as they like to call them). My favourite thing about it is the lovely cloudy overlays that Olympus has when we’re following the surprisingly affable gods’ interest in mortal affairs. It’s also notable for utterly failing to resolve the plot as the film simply ends a nice romantic hug and Zeus saying he’s got other stuff for Jason to do; he never does go back and kill the king. No one seems to care about this except me.
[youtube http://www.youtube.com/watch?v=Fe1fkryhvlk&w=560&h=315]

This week, Monday 11th February 2013

A Week Into Silence

Bookin
Our beautiful cat, Merly

Wow, a very different week last week from the week before. I guess that’s normal, but I do find that many weeks feel much the same. That endless revolution of weeks into months and into years is a trend that worries me sometimes, but then I get sucked back into the routine and forget that I was worrying about it. It’s just like trying to remember to make an optician’s appointment: I forget it almost as soon as I’ve remembered it. Tsk. Anyhoo… this week was full of improv fun! Much more about that below, but it definitely shifted the balance from being exhausted because of work stupid to being trashed by the evenings. Victory!

This week’s scribbles

Tuesday My Grandfather’s House Part 1

A return to the wonder of nonsense adverbs in a continuing homage to H.P. Lovecraft (see My Grandfather’s Watch).

Wednesday Lego Creations: A Mini City

A few pretty pictures of a miniature Lego city (well, a couple of streets anyway).

Thursday Alex Trepan: A Cyborg Calls part 2

An unwelcome guest disturbs Alex’ sleep.

Friday Book Review: Spacepaw by Gordon R. Dickson

A short review of an old science fiction novel.

Updates on my thrilling life

Writing

Hmm, this whole up early / late to bed thing isn’t terribly helpful… Never mind, I have squeezed editing time in, and now that I’ve started the new Alex Trepan serial (even if it’s only for a few weeks) I shall be forced to attend to it! I’m vaguely pretending to myself that I’ll have a bit more time in the mornings but that’s clearly a lie. Maybe I’ll start with the automatic writing again (well, it’s close enough as I’m barely conscious before I get to work).

Last week I also challenged myself to write a 1500 mock-essay on a subject of someone else’s choosing. It was good fun, and I managed to keep to my university habit of 1ooo words an hour. That is of course aided by writing utter nonsense. I don’t find I can hit that sort of speed for other writing, which is a shame. The given essay question (In an animal election, with only two candidates – would Evil vote for a misogynistic duck-billed platypus or a homophobic octopus?) was surprisingly inspiring. It certainly filled my only free evening last week. Oops.

Last week’s scribbles

A Cyborg CallsTuesday Fairground Misadventure A short sci-fi-ish story that emerged in an early morning mind fit.

Wednesday Pulp Pirate 15 Another edition of the marvellous Flash Cast with a Franklyn de Gashe tale by yours truly.

Wednesday An Essay of Little Merit 1500 words on a nonsense subject – the politics of bigoted beasts.

Thursday Alex Trepan: A Cyborg Calls Alex and Galaxy Team are back! I think this is going to be a three-parter. No promises.

Friday  Film Review: Ray Harryhausen: Special Effects Titan (and Jason and the Argonauts) A short review of the new documentary on the legendary film-maker and his most legendary film.

Lego

Nothing! Sadness salts my soul!

Improv Comedy

Busy busy busy. Last week we had two shows, a jam and a rehearsal, so like I said – that was the week. Tuesday was our last chance to iron out any especially bad habits and make sure the five of us in the Fisticuffs team were ready to try out Unspeakable Acts on a real (albeit tiny) stage. It was a fun practice. I know, I know, how can you rehearse for improv? It’s a question people ask a lot. Obviously you can’t plan what you’re going to say, and you can’t even plan what you’d like to do. Especially in a show like Unspeakable Acts – it feels even more unpredictable than other forms of improv I’ve done.

What you can do is build trust, which is only achieved by playing together and learning that you can rely upon yourself and your playmates to advance the story, provide interesting offers and support each other. If I’m playing with people I trust I feel great. We can also practice doing things and making extreme choices that we perhaps wouldn’t if we weren’t in a safe space. There are ways of starting scenes, scene formats that anyone would recognise from plays they’ve seen – monologues, split scenes, group scenes, committees, songs and interludes. You can make a conscious effort to look for the opportunities that a scene presents – most of those opportunities are given to you by your colleagues on stage, and you have to know them enough to step out and do something crazy, knowing they’ll back you up. It’s a tricky balance between doing and planning. Personally I find detail is my saviour – by tossing in a few extra words, some (apparently) unnecessary justification or description I later have a reference that I can return to and make something of.

I know two of our newest players had been feeling the tension and were getting a little nervous about the show on Wednesday. I don’t generally find that I get nervous about improv shows any more. I get excited about them instead. I find that is much better. Several years ago I used to get exceptionally tense, and would feel that in my stomach for days before a show, plus it would make me sleep badly and overall would almost be so bad it undermined my enjoyment of the performance. Not good. I finally got over that – although something new, or having to be somewhere different do give me horrid tension pangs.

That’s why I believe in pre-show preparation. I generally have producer type responsibility for our shows – that means having the bells, the mics, the pens, bits of paper, clipboard… whatever we need ready and available. That’s a good routine in itself for me, a list of stuff, the preparation of which clears out all the excess junk in my head – I know we have all the physical crap we need for the show, so I can focus on myself and the others. Getting to the venue ahead of time, sorting out any tech or logistics that need to be done calm my fluttering nerves leaving me ready to be ready.

All that paid off well this week – Unspeakable Acts on Wednesday was Martin’s baby so I had zero prep to do other than figure out the lights when we got there. It was an enormously satisfying show. We were at our mini venue, The City Gallery, which has a tiny stage with one exit so it’s extremely confining but intimate. An odd combination. Martin, Lloydie, Ben, Parky and I did our stuff. We did three scenes, the first based on a very odd one act play called Riders to The Sea by John Millington-Synge. We got maybe a page into the script before abandoning it and sliding merrily into improvised weirdness. It became a tale about religion vs. science, Irish fishermen and mermaids, a boy who spun everything and priests in crisis. It ended with my fisherman character becoming a French merman and getting married. Beautiful.

It was a bit messy and very strange, but we got fully on track with Ridley Scott’s Gladiator screenplay. That worked out… differently to the film. Ben got a double role as Commodus and Maximus – both of whom were impersonating each other (which lead to the dramatic climax where he fought himself), with Lloydie as the hair-brushing Lucilla, Martin in most-loved character of the show, the quavering Tribuus and Parky and I were a pair of German barbarians (“Gutentag!” “Hallo!”) running away from, and towards the Romans. It was very good fun. For the third part of the show, the audience selected Basic Instinct as the inspiring screenplay. That became a very pleasing cop drama (the screenplay is littered with ridiculous descriptions of characters)  with much mockery of cop racism and ended with a song. Lovely. We shared the fun of Unspeakable Acts with those who attended the jam on Thursday and much fun was had by all!

On Friday we returned to a favourite venue – Create Theatre in Mansfield. It is wonderful to play in a proper, dedicated theatre space and we all found that the extra room (we have no space at City Gallery and often little more at The Glee Club) allowed us to expand into much more theatrical scenes and characters than usual. I played a ballerina in a scene with Marilyn, which would have been impossible elsewhere. Parky and Lloydie did some amazing stuff in the second half, which was the longform portion of the show. I really enjoyed what Cat, Marilyn and I did as well, but the boys was tight. The first half was shortform and open scenes and I think it was some of the sharpest work we’ve done for a while. I felt very comfortable and chatty as compere and truly relished the space to bounce around in. I can’t wait to get back there again, and break more furniture in scenes.

Media Intake

Books

I’ve been forced to dig back into my book cupboard… I’d excavated the first two volumes of Peter F Hamilton‘s Void Trilogy so that I could remind myself of what had gone on before delving into the third. Unfortunately I found myself lost within twenty pages of The Dreaming Void and have had to go back to the previous two books! It’s proving worthwhile though – a character we meet in the Dreaming Void turns up right at the start of Pandora’s Star. So I should be up to speed in, oh, 4000 pages or so!

Films

I have an increasingly good feeling about cinema this year; last year was a bit patchy. This weekend we’ve celebrated being slightly less improv-busy by hitting the cinema. Hitchcock was great (in my head I keep calling it Hancock, which is not such a great film) – Anthony Hopkins and Helen Mirren do a wonderful job as Mr and Mrs Hitchcock, and I love the guy they have playing Anthony Perkins (James D’Arcy). The story’s tight focus is on the relationship between Alfred and Alma during the making of Psycho. Loved it – watch it. Then we saw Warm Bodies with a bunch of mates – it’s a very effective 12A zombie film which balances the scariness of zombies (my god, the unending fear!) with a very funny and engaging romantic relationship that develops between one of the living dead and the real living not-dead. Frequently laugh out loud with plenty of tension. Hurray! I’ve also finally watched The Plan. It’s a spin-off film from Battlestar Galactica (the new series which I think is the best sci-fi series ever made). Although about three quarters of it seems to be re-cut footage from the series the remaining quarter tells the story from the Cylons point of view, explaining many events and adding even further depth to the show. It’s rather TV movie in style, but I very much enjoyed it. I may have to re-watch BSG (again) now.

Events and Excitement

Improv shows

Thursday 14/02/13      Gorilla Burger: Improv Comedy Chaos The City Gallery, Nottingham

Friday 22/02/13           MissImp in Action: Improvised Comedy Show – The Glee Club, Nottingham.

My Grandfather’s House part 1

Part One: Waking From A Dream

tzazanoth4I sat in silence. The watch, that horrible grisly thing that would not leave me, pursued me through the house, lay on the arm of the Chesterfield. Its vile anatomy seemed as if it were a broken spur of wrist protruding from the deep red flesh of the upholstered chair. Though it did not tick conventionally, as a clock of man might, I felt its uncanny hands pound through my pulse and the fabric of the house. I sat in silence. Around me the walls thrummed with dark animation. Shudders ran through the wallpaper, lifting the flowery relief images in waves of menacing faces.

I had not left the house in weeks and its presence oppressed me and constricted me. Blearily I pulled myself to my feet and staggered from the reading room. The hot breath of the house was as normal to me now as that of a dog one allows to share one’s bed. Its rank, organic stench barely touched my nose. The staircase loomed out of the hallway, spiralling upwards like gleaming bone – the spine of the thing that had inhabited my home since I first unearthed the watch from my grandfather’s attic. I staggered and rested my hand on the door frame, and yelped for the contact pressed harshly upon the wounded skin of my palm. It brought back to me that stumbling run from… from what? The watch, with its sharp bracelet that cut into me when I squeezed its ghastly living links. In fear I had tossed it into the drawer and locked it. The drawer where it would not stay. Even now I realised it was wrapped about the wrist I held up to the door. I was sure I had left it on the arm of the chair.

That awful night’s sleep, the dreams it had pressed upon me. I felt as if I had not slept since, and yet surely that is but my imagination for I lived still, if one could call it a life, stumbling about the body of this beast. A man must sleep, how else can he tell his dreams from reality? Without the sweet succour of slumber I led a drifting life, my mind and skin fluttering on the dead breath that stroked at my soul. I found myself at times lurching to wake from my bed, or a chair, or while mounting the stair or raising my head from a book. My life was being lived, but not by me. I merely borrowed it for moments when its new owner was absent. In these precious seconds when I was myself and could briefly grasp at the frame of existence I dwelled alongside I felt torn between horror at my impotence and dread of what my awful schemes my body might be engaged in.

Books and artifacts lay in rows and stacks along the hallway. I had been unpacking my grandfather’s collection in my not-sleep. The tomes were leathery and ancient. They hummed with malice and whispered sibilantly in my mind. Terrible things about the end of the world, about bleeding my memories away and worst, of reading the blood-inked whorls and sigils within them. I walked amongst those arcane horrors, piled to waist height throughout the house. I had no sense of the time I must have lost while I wandered absent from my mind, emptying the attic and the cupboards to produce this new labyrinth within the house.

As I drew past swaying piles of books I flinched, for their whispers grew guttural and glutinous, promising awful delights whenever my shoulder brushed their unhealthily hued bindings. I knew that I ought to be hungry; I felt weak and light headed, though that may have been merely the heat that sent shuddering beads of sweat down my back. The kitchen would be cooler, and with luck not entirely empty of goodness. The dull progress of my feet pulled me nearer to the smoothly tiled floor that broke from the threadbare carpet. I believed I might attain that haven (or so it appeared to my delirious and desperate mind). That was before I caught sight of the figure standing behind the staircase, blocking the way to my imagined sanctuary. Blackness enveloped me, as my eyes rebelled against me, denying truth to the monstrous shape I had seen uncoil from the underside of the steps. I felt its crenellated limbs reaching over me, its thorny fingertip touches seizing my dumb, listless body and dragging me limply, blindly into its embrace. It seemed as if I slept at last.

To be continued next week…

My Grandfather’s Book

My Grandfather’s Watch

My Grandfather’s Carpet

Lego Creations: A Mini City

Lego Mini Figures of Doom!

My other half and I got addicted to Lego minifigs when they started releasing them in series of blind bagged wonder. Obviously we’re not so daft as to just buy them and hope we get new ones – that would be to encourage this sort of child manipulating retail strategy. It is a cruel and exploitative tactic. Thankfully, if you’re willing to spend a few minutes hours fondling the package you can be a winner every time. My partner is especially skilled at this; it is her super-power. They are awesome cool and are just begging for sets of their own to play in.

The obvious starting place was the dude in the Godzilla costume and the various robots. So that’s where I started…

It got more complicated

Of course it did. Once I’d had fun making some small buildings I realised there were other cool combinations of bricks that would suggest different kinds of buildings and further challenges of fitting stuff together in unusual ways. Plus it was too small. I wanted more, more I tell you.

Scale Agonies

The little town is still too big for the minifigs to be in scale. I suppose I’ll have to do another one to get really tiny kickable buildings for Godzilla. I get easily distracted and just want things to be taller and have more… bits.

Oh well… we have many more mini figures to build scenes for. Unfortunately I’m starting to run out of space, so they’ll have to be dismantled – I’m not sure I can face that yet.

A Cyborg Calls – Part 2

Part Two – Tea For Two

A Cyborg Calls
The hatch of the gleaming retro space car hissed open. Alex whimpered and dodged back inside his house; being woken up in the night was a bad start, but now it had become dramatically worse. There was clearly nowhere to hide effectively, except by running out of the front door which would only result in a pathetic chase culminating in his ignominious death in an alley. The shiny spaceship-car was unmistakably Galaxy Team, as was the landing. It would be a bloody death. Alex had watched the family of high tech lunatics take care of one of their own in proper gangster style – a memorable evening. He remembered every moment of the killing, especially when Man Ho’Tujsk gave him a big hairy wink and then strolled away. Being left to live and (not, very definitely not) tell the tale just wasn’t their usual style. It made him feel very uncomfortable; Alex had been curtain twitching ever since.
Alex dithered in the kitchen. He opened and closed the cutlery drawer. Stacked up his unopened post. Checked he was still tucked in. In a fit of nervous energy he put the kettle on and faffed a bit more. Gravel crunched outside in the ominous way that only gravel can manage and the light in the kitchen faded away. Alex stood in darkness, hefting the ice axe unconvincingly. Blue light poured slowly through the panes in the back door and soaked the kitchen tiles with a cool glow. The gravel crunched with excessive menace as if someone were grinding their feet on the scabby mat Alex kept outside the back door.
Next there came a knock on the glass; followed with slight hesitation by a second weaker tap and a more confident third. With each tap the lights flared back up and faded away again. A pause. The knocks came again, slightly harder and with consequently fiercer pulsing of the bulbs. Crap. They probably knew he was in. Probably because they’d seen him in his pajamas. Turning on the kitchen light would likely have reinforced this. Alex had made many mistakes, he didn’t feel he was learning from them. The third round of knocking was much louder and two of the flimsy halogen light bulbs exploded like miniature fireworks; the kettle boiled.
With a daring display of nonchalance Alex opened the back door which he had failed to lock. His grip was slippery on the handle and his mouth was dry. He managed a weak, “oh hello” as the door swung open. Before him stood the brilliance of the Boytronic Wonder. He seemed human enough at the top, except for the silver tendrils that ran beneath his skin, tiny lights winking in his neck. From there down he became steadily squarer and blockier, his t-shirt’s Nike logo drawn tightly over the odd protrusions and angles that bent and deformed his torso. His legs were full on wind-up tin toy robot and they shuffled awkwardly as if his key was running down. The Wonder’s eyes (one human blue, the other a terrifying kill ‘bot red) met Alex’ eyes and looked down, embarrassed.
“Oh, hello,” said the semi-human half-robot killing machine, “I hope I’m not disturbing you.”
“Umm,” said Alex, struggling for vocabulary in the small hours, “no, I was only sleeping.”
“Right,” said the Wonder, “look, I’m sorry about your shed-”
“It’s a garage, it’s just built the wrong way round.”
“-Garage then,” he turned to glance down the garden, his body revolved smoothly at the waist like Alex’ old Action Man. “Sorry about that. I just didn’t want to park on the road – it’s a bit too obtrusive.”
“Sure. Well, you’re here, I’m awake,” Alex stumbled into conversation, and waved vaguely at the steaming kettle. “Would you like a cup of tea?” Social conventions are there to fall back upon whenever one’s brain ceases to function; they navigate us smoothly through awkward conversations with doorstepping local politicians and help us to invite psychotic cyborgs into our homes. Well done good manners.
“Oh, if it’s no trouble.” The Boytronic Wonder’s eyes fell on the ice axe still gripped in Alex’ fist.
“Sorry. Thought it was kids,” Alex rested the axe against the door frame, “come in.”
Alex stepped back to allow the metal man to shuffle awkwardly into his home. He cast a worried eye over the 1930s ladder-back chairs which suddenly looked terribly fragile under the Boytronic Wonder’s reaching fingers.
“I’m a leaner,” said the Wonder, releasing the chair and settling back against the chimney breast. The radiator promptly buckled under the weight of his legs.
Reluctantly Alex closed the door and turned back to the kettle. Silence hung in the air between them like an ugly beaded curtain. Alex made the tea, with a minimum of teaspoon rattling or nervous eyeing of the cyborg’s reflection in the cupboard door. The last time they’d almost met Alex had been half-buried in rubble, able to only watch while seen the Boytronic Wonder levelled a ludicrously oversized weapon at one of his brothers and blasted him into a thin film of ex-personhood. Alex had every reason to be afraid, not least because he’d secretly recorded that encounter on his phone, and yet… Alex got the feeling that the powerful being destroying his radiator (and probably the structural integrity of his house) was the more nervous of the two of them.
Now that he was paying attention, freed from thought by the meditative ritual of mashing tea bags against the mug wall just the right number of times to make a perfectly average cup of tea, Alex noticed the waves of anxiety rippling out from the manbot. His unexpected guest was upset about something. That made Alex feel rather better, though a contrary thought that maybe the Wonder was just anticipating having to kill Alex skewed the calm into stomach twisting alarm. If total carnage (Galaxy Team’s usual style for everything from buying coffee to family disputes) were intended, Alex doubted that the only casualty would have been his garage.
He sucked in a quick breath and turned, fingers twisted awkwardly round the mug handles. Words died in his mouth once more as the Boytronic Wonder burst into tears. Sparks spattered and singed the lino as the tears flowed along the silver strips in his cheeks. Alex barely noticed the burning sensation in his knuckles as hot tea splashed onto the floor.
Is the weeping just a ruse? Will Alex be summarily executed? Will his radiator need to be replaced?

Find out next week in Part Three of: A Cyborg Calls

Read more Galaxy Team adventures

Read more Alex Trepan stories

This week, Monday 18th February 2013

Shall I Scream?

hitchcock-birdsThese weeks are vanishing at a terrifying rate, and yet have that strange endless quality to them too. It’s confusing. The week before last, which was filled with splendid improv shows and wonders now feels like it was months and months ago. I blame work. And relativity. Frankly I’m exhausted, despite last week only being a four day effort. There should be a limit to how much frustration, bad communication and failures in decision making can be fitted into a single week. The organisation I work for has an unlimited ability to fail itself and its employees. Good skillz.

It is unfortunately making it rather difficult to get anything of value accomplished (I don’t just mean at work; that’s a foregone conclusion) – my mornings are spent staring at my computer, hoping that words will find their way out of my fingertips.  Not to worry! We plunge onwards with the writing schedule!

This week’s scribbles

Tuesday My Grandfather’s House Part 2

Despair reigns in the house as the dreamer awakens.

Wednesday Shankulation – The Screamery of Angry Poetry

Yup, it’s been that sort of week – time for some more hateful poetry.

Thursday Alex Trepan: A Cyborg Calls part 3

Further night time disturbances and revelations!

Friday Film Review: Warm Bodies

A short review of the new zom rom com.

Updates on my thrilling life

Writing

As usual a simple three part story is starting to elongate itself. Yes, I’m afraid it comes as no surprise that A Cyborg Calls is now heading for four parts. Sorry! It’s just what happens when I start editing what I’ve scribbled. In all honesty I was suprised that My Grandfather’s House ended up in two halves. I’ve got some more bits of mock-Lovecraft prose knocking about and I aim to tie them into the ongoing ‘My Grandfather’s World’ series. I find them fun to write; there’s nothing quite like burying yourself in purple.

Last week’s scribbles

A Cyborg CallsTuesday My Grandfather’s House Part 1 A return to the wonder of nonsense adverbs in a continuing homage to H.P. Lovecraft (see My Grandfather’s Watch).

Wednesday Lego Creations: A Mini City A few pretty pictures of a miniature Lego city (well, a couple of streets anyway).

Thursday Alex Trepan: A Cyborg Calls part 2 An unwelcome guest disturbs Alex’ sleep.

Friday  Book Review: Spacepaw by Gordon R. Dickson A short review of an old science fiction novel.

Lego

Plans, only plans. I was able to help a friend by finding a piece of Lego they needed. That offered marginal satisfaction. I’m getting some Lego in tonight though! Also, it really annoys me when people say “Legos”. It’s just Lego – these are Lego bricks. Jesus.

Improv Comedy

A quietish week at last, which is probably a good thing, although I find that I dip emotionally when I’m without a show to move straight on to. It’s probably also a reflection of my current work state – the fun I had gets washed away with disturbing power and speed. Maybe I need to get myself more shows to look forwards to.

Last week the Fisticuffs team had a look at a form which Alan Starzinski told us about – Tracers. The idea is that it observes the unities of time and space- everything that happens takes place within the same period of time, so it could be what’s happening next door, or on the other end of a phone conversation. It’s possible we’re too concerned with getting a story told throughout, rather than just following the scraps of scenes and narrative that emerge. It feels like you’ll never get a proper conclusion, which might be unsatisfying. I think we need to see one done though as it’s definitely harder than it sounds! Structurally it seems odd and the IRC is unusually little help with getting a better grip on it. Time to make our own thing up I think.

Gorilla Burger on Thursday was fun, but given the nature of the night I didn’t get to do much  improv. Definitely need to perform more.

Media Intake

Books

I love Pandora’s Star. The aliens have just invaded the Commonwealth and nuked twenty-four human worlds. We have five warships to counter them. We’re fucked. It’s postively thrilling. Will I be able to resist going straight into the sequel when I finish it?

 

Films

Just the one film this week – A Good Day to Die Hard. Awful. Just awful. I loved Die Hard 4, it was really silly and had huge action scenes, and a sense of humour so I’m very disappointed. The delayed trains afterwards didn’t help, but have unfairly tilted me even further against the film. We also re-watched The Birds, which is somewhat slower and less good than I remembered. The overlaid birds in flight are hilarious though. The trailer is far superior all round:

[youtube http://www.youtube.com/watch?v=MZjaVdJt59U&w=420&h=315]

Events and Excitement

Improv shows

Friday 22/02/13           MissImp in Action: Improvised Comedy Show – The Glee Club, Nottingham.

Thursday 14/03/13      Gorilla Burger: Improv Comedy Chaos – The City Gallery, Nottingham

My Grandfather’s House part 2

Part Two: Waking Into A Dream

tzazanoth4

Read My Grandfather’s House part 1 first.

I awoke to myself again, swaying and grasping gratefully at the handle of a door. It gave way under my weight and I near fell into the room within. The house’s energies had drained me and I collapsed, sweating coldly and trembling, gratefully into the chair set separately and centrally in the room. On seating myself I noted its perfect position amidst the scrawlings of arcane and improbably alluring geometries that spiralled outwards from its legs. Instantly I knew that I had erred, perhaps fatally. I felt appallingly passive, my mind leeched by the revolting appendages that lined the room circuitously, wending their labyrinthine passages through our reality and into the next. The tears they wrought in the walls led out to the room adjacent but between these hollow parcels of human comfort.

The gash across my palm that I had thought healed reopened and wept vitally down my hand and through the open cuff of my shirt, staining it with my essence before spilling down my trembling fingertips. The sight transfixed me, its drip drip drip hypnotic in its regularity. Idly I wondered how long I could maintain its metronomic sapping and how I would look at the centre of a pool of myself – inverted and converted into a glimmering sheet of crimson.

The steady mesmeric trickle stole my mind and it was not until my jacket grew grossly wet and dark against my ribs that I realised to my horror that it was not only the wounds of an occult origin that split freshly in the terrible womblight that sank and stole horribly through the fabric of my grandfather’s house. Attracted no doubt by the curious and horrifying objects of ancient power which he had collected for their ageless evil and concentrated in this ill-chosen room for slumber, or for sitting, as I had foolishly done.

The visions that pierced the brutally shredded brick and plaster (overlaid with eldritch paper detailing the swirled patterns of a madman) violated the shivering veil of sanity we habitually draw across the fearful nightmares that lurk breathingly beyond that damask rustling. That haze, normally only dissipated by the force of insurgent dreams too keen to fortify themselves with the fresh cerebral matter of our minds was here surrendered with insulting weakness and torn from the railings of my thought and being. I was naked to them, as the blood ran down and stained the beds of my nails.

As my strength ebbed and the awful light waxed ever stronger through the edges and corners of the room I grew aware of a lightness in my mind, detaching itself from the blackened pool which lay dying inside me, its dark vacuum fed by the expulsion of my lifeblood. It was as if I drifted above myself, I felt my skin roll past like an ectoplasmic illusion and as I became free of my flesh that womblight embraced me, rushing hot and sour through the dimensions of the room. Achingly bright it ran greasily about the encased limbs – they extended through the glass, the alcohol-soaked lumps attaining their true state, flexing and flagellate. The room felt to me alive and throbbed with unusual vigour, as I imagine my heart would feel were I trapped within it. Each pulse was the beat of my heart expelling another drop of blood into the crimson tide which playfully chased the graven maze upon the floor.

I was dying. I knew that, and yet it felt ripe with potential. The ceiling surged towards me, heavy with lines of force that erupted, extending in ridges like bone towards me. A moisture ran from the infernal edges of the room along the ceiling and flowed up and down the twisted pyramid that reached out for me. At its tip hung a bell shaped lump that swelled as I breathed my insubstantial soul breath upon it. The light said to me “Choose”. I understood the vibrations which were not sound nor voice, but like the rattle of glass in a distant pane. The bell shaped itself, growing translucent and icy. The liquid that ran up the pyramid dripped down into the glassy fruit which twitched and hummed as it filled up. The light urged me to drink. I looked back at my body, grey-skinned at the heart of a sea of red. I reached up and took the strange glass object in my surreal fingers, and drank.

I drank the pellucid tears of a dead god. They burned, raw and bitter in my mind’s throat, pulling me downward as they raced into my being. I fell from the ceiling, through the greying flesh of my corpus and landed behind my own eyes. The womblight dimmed and the ceiling and the room’s marvellous shapes rushed backwards away from me. With a hiss I felt the floor uncoil beneath me, and the blood I had lost reversed its languid exit, sucking back into the gash in my hand and the wounds in my side and face. So vigorous was the rush that I was pulled to my feet and stood upright, tingling as the blood re-entered my body. I swayed on my feet, and then fell, overwhelmed at the sound of my heart beating once more.

 

Shankulation – The Screamery of Angry Poetry

 

Shankanalia 2

Some of my friends tell me I have anger management issues. After withdrawing the knife I remind them that I manage my anger very well. That’s what poetry is for surely, the expression of emotion using whatever words and noises we can, even if they are just an incoherent shriek.

I strive to rise above the mere bellow and twist the words into an appealing form (to me). It’s important that I don’t dwell for too long on whatever has enraged me (you know who you are), so this short form is great. It spurts out, and the suppurating wound left behind may eventually heal.

Follow @shankanalia on Twitter for live screaming.

Shankulation – The Screamery of Angry Poetry

The Underside
Occiferous tribblings emanate
From my desken drawer
And unhued exhalations
Of ghostly breath
Chill my ice spine.

All The Answers Are Inside
Fuck burgers
And lung pestilence
To silence your gasping,
Grasping,
and failing
Search for the truth.
The words you need can be carved in your wrist.

The Hands That Tie
Can I amputate your leg
and gag you with its meat?
Appendage bondage.
Bind your hands with
A chain of toes
and blind you
With your penis?
For my pleasure.

Convenience Sore
Cut you open,
Stitch you up.
Squeeze your gash,
Your suppurating wound
Heal you with a fistula
So I can punch you
Directly
In your bloody heart.

Children/Barren
Ah you simpering fuck-peddalos,
Cycling futiley through muddening filth,
Buried to your mutant-infested
Spasming genitals:
Fire your dead seed.

The Cycle of Shame
Blazing a trail
Of embarrassing banality,
Outstretched arms
Reaching for t

he earth.
With ambition like yours
We’ll have another wheel
In no time.

Cause for Celebration
Thanks for that;
For all your work
Your thoughts
Have been received.
It’s clear your work
And thoughts
Have been the problem.
Please leave. Ta.

A Cyborg Calls – Part 3

Part Three – Sad Days, Robot Nights

A Cyborg Calls

It can be difficult to find the right words when someone is crying in front of you. It’s still harder to console someone you suspect is going to kill you. “Oh,” was the best Alex could find for the weeping mechanical hulk in his kitchen. The Boytronic Wonder was trying to say something but the words were obscured by his incredibly undignified snorting, bubbling and fizzing noises. Alex awkwardly looked down at the mugs drippping scalding tea over his hands.

“Um,” Alex tried again, and proffered the Star Wars mug, “get this in you.”

The Wonder honked out a thank you and took the mug in one shaking hand. With the other he tugged a charmingly embroidered handkerchief out of the string of pockets at his waist and noisily blew into it. Tea spilled onto the floor.

“Why don’t you sit down,”Alex suggested. He pulled out the kitchen steps from the corner and deftly kicked them open. They stood a slightly better chance of survival than the battered dining room chairs.

“I’m sorry about this,” sobbed the cyborg, gratefully accepting the seat. Alex grimaced as the metal steps creaked and bent under his weight, settling into a more rigid and permanent structure. Alex took up a poistion at a safe distance and sipped at his tea. It was much too hot but was more polite than staring. He felt embarrassed for the man’s tears and figured he’d have to be the one to talk them out of this.

“So… Boytronic Wonder,” even saying the name sounded ridiculous and Alex cringed inwardly, “how have you been?” The sight of a the naked man exploding shot past Alex’ inner eye again.

“Please don’t call me that. I hate that name – it sounds so stupid.”

“It’s a bit of a mouthful alright,” Alex sipped some more scalding tea.

“Dad gave us such stupid names. I mean, I’m not bloody Robin, the Boy Wonder. Can you imagine being taken seriously? Batman’s bad enough,” he affected a high pitched female voice, “‘Hello Batman, how nice to see you again – black, two sugars isn’t it? And would the Boy Wonder like a croissant?’ You’d feel like such a dick. Just call me Si.”

“Cy? As in cyborg?”

“No, as in Simon. That’s what Mum called me.”

“Right.” Between them they were defeating Alex’ previous record of awkwardness, set when he tried to explain to his parents why he’d drilled three holes in his head.

“It’s nice of you to drop by Simon; I mean, it’s very – new, this dropping in for a chat. Is there anything I can do..?”

“Well who else is there to talk to? Everyone else we’ve ever gotten involved with is either dead, or,” Simon thought for a moment,”- no, they’re all dead.”

Alex really didn’t like the sound of this and was regretting asking at all.

“You know, I didn’t really see anything,” Alex began.

“Oh, don’t worry about that. I don’t think Dad knows. We got Clive back, and that’s all he cared about.”

“Oh good. But there must be someone else you can talk to. Not that this isn’t lovely.” Alex felt he’d covered that well.

“Yeah – you. You’re not family. Dad would never understand.”

“Have you tried talking to him about how you feel?”

“God no! Jilly Lazareth tried that. We’re still finding pieces of her. She just wanted to go university.”

Alex pretended he still had tea in his mug and took a big fake sip.

“I liked Jilly,” Simon mused, “she had really nice hair.”

“At least you get out now and then,” Alex said, trying to get away from the topic of people dying. Simon’s blank look gave him a horrid trembling sensation in his stomach. “I mean, you’re here now…”

“Oh no, Dad would go mental if he knew I was here. I’m supposed to be silencing this policewoman in Leicester. Normally Man-Ho Tjusk would do it, but he’s got a cold, so it’s me. I was nearby so I thought I’d pop over, say hello, you know. I-” Simon broke off, tears threatening his circuits again, “I don’t want to kill people anymore. I just want to be normal.”

“Well, what’s normal anyway?” asked Alex lightheartedly.

“For me, this-” said Simon, tapping at objects on Alex’ kitchen table. A postcard vanished in a flash of flame, keys and coins magnetised and flew together in a clumsy orbit of Simon’s hand, and the radio turned itself inside out. Alex wasn’t entirely sure what was going on, but was grateful that he’d never hear John Humphreys on Radio 4 in the morning again.

“That’s, um, a bit different.”

“Different?” Simon stabbed his finger back down at the table. Blue tendrils crawled from under his t-shirt sleeve and down his arm, the ends sparking as they pulled free of his skin and vanished into the crap covering Alex’ table. Alex was alarmed by the rage emanating from the cyborg, despite his pacifistic claims. Then Alex’ ancient sandwich toaster glowed blue, coughed out a cloud of cheese-scented black smoke and started talking.

“First thing we have to do is establish an escape route – no matter what happens we gotta get you clean away,” Alex stared at the machine as it babbled, “we need an extra door in here.” Hastily Alex reached out and turned off the plug socket – the thing was prone to overheating at the best of times. He switched his stare to Simon.

“This is my life, look,” Alex averted his eyes as Simon yanked down the top of t-shirt, revealing a hissing mass of shapes revolving under the clear skin of his chest, “I’m just an experiment to them, like all the others,” Simon’s eyes lit up from the inside as he warmed to the topic, the tears welling up puffed out into steam; the coins spun round is a wider, sharper circuit of his outstretched hand; his voice took on a metallic ring as he began to shout, “thanks Dad – this is what I am. A monster, a killer.”

The coins exploded like domestic shrapnel, burying themselves in the brickwork. Alex’ house keys thudded into the cupboard door by his head. Alex swallowed nervously and tugged them out of the wood.

”Thanks, I’ve been looking for those. Would you like a biscuit?”

Do cyborgs like biscuits? Is Alex’ sandwich toaster alive? How many parts will this story have?

Find out next week in Part Four of: A Cyborg Calls

Read more Galaxy Team adventures

Read more Alex Trepan stories

Film Review: Warm Bodies

Zombies are at once the most ridiculous and most terrifying of horror film staples. I was delighted by the original Dawn of the Dead, and genuinely traumatised by 28 Days Later. It’s a real love/hate relationship for me – the notion of a zombie plague is horrifying and yet I enjoy the tales of desperate survival. I like apocalypse in general; I suppose that’s the misanthrope in me. I have a tender side too, somewhere. Mainly that draws me to inspirational teen movies like Bring It On and Step Up to The Streets… I like a good romantic comedy too though.

Warm Bodies

So I was obviously going to see Warm Bodies, which at first glance is a total win for me – zombies, romance, comedy. Good. It made me instantly suspicious of the film though – we are frequently disappointed by trailers and the promises of Hollywood. Our primary zombie R gives us a bleakly funny commentary on his post-death zombie existence in an airport. He’s a bit odd, in that he collects all sorts of junk (like Wall-E. Thinking about it he’s a lot like Wall-E, except he eats people) and “lives” in an aeroplane.

It’s mostly R we follow as he goes on a raid for flesh with his zombie buddies and meets a girl. That’s where it gets delightfully weird and rather sweet as he falls in love with his captive date/lunch. That’s a very awkward developing relationship which is also very funny, and significant for the overall story. I really can’t say much more without spoiling it.

There’s an excellent balance of humour and horror throughout. It’s only a 12A so there’s nothing too gory, though it’s certainly suggested well – the bits with R eating brains and experiencing the lives of those he consumes is about as grim as it gets on screen. It made me laugh throughout and had a sufficient heart-warming awww-factor to satisfy my nicer side.

[youtube http://www.youtube.com/watch?v=ZfiAkiO-RTY&w=560&h=315]

This week, Monday 25th February 2013

A MidWeekEnd

Vampyre HearseAs you may have noticed dear reader I’ve been moaning about work a lot lately. Sorry about that. It’s the usual problem that work gets in the way of real life and that always pisses me off. When it takes up even more than its allotted 37 hours per week (plus travel time) that really does grab my goat and punch it in the gander. There’s been a slight lull (the consequence of actually being listened to for once [moan moan moan]) and so I got to take some emergency time off before I went insane.

Usually I’d take a long weekend, but I fancied a more radical/daft option to taking two days off – a midweekend. I took Wednesday and Thursday which gave me a two day week, followed by a weekend and then a one day week and another weekend. Genius. It’s been very nice. I haven’t done much other than sleep for 10 – 12 hours at a time and catch up a bit on writing and recording pirate stories. I highly recommend it.

This week’s scribbles

Tuesday Once Upon A Time part 1

A sad little story about deceit and despair.

Wednesday Lego Creations: The Castle Sprawl

A big messy heap of Lego with lots of mini figures doing their stuff.

Thursday Alex Trepan: A Cyborg Calls part 4

Alex’ learns secrets he would rather have slept through.

Friday Book Review: City of Screams by John Brindley

A short review of the intriguing young adult sci fi thriller.

Updates on my thrilling life

Writing

I’m still hammering the end of Alex Trepan’s A Cyborg Calls into shape as I go along. It’s possibly (definitely)my own fault for using an episodic structure on a story that I didn’t write that way originally, so I’m having to find new natural-ish endings roughly every 800-1000 words. That may or may not be working (you should let me know, otherwise I’ll keep fucking it up). One of the things I do like about writing like this is it forces me act on the story and I have longer to consider the consequences of the earlier episodes.

Having a midweekend was good – when I finally did wake up on Wednesday I immediately wrote a short story that I’d woken up thinking about. It’s a bit odd… I have to tamper with it a little and then give it to you in probably two pieces. I’ve also been fiddling with The War Alone Day One stories.

Last week’s scribbles

A Cyborg CallsTuesday My Grandfather’s House Part 2 Despair reigns in the house as the dreamer awakens.

Wednesday Shankulation – The Screamery of Angry Poetry Yup, it’s been that sort of week – time for some more hateful poetry.

Thursday Alex Trepan: A Cyborg Calls part 3 Further night time disturbances and revelations!

Friday Film Review: Warm Bodies A short review of the new zom rom com.

Lego

Prime MotileTinker tinker tink. I’ve been playing with another small setup which is as yet woefully incomplete. I’ve also been trying to make a decent Prime motile (the aliens from Pandora’s Star) – I am less good at making things that exist than just putting bricks together until they make something. It’s a planning problem. Lots of pictures on Wednesday of the larger castle-thing I’ve been building, hope you enjoy that.

Yesterday I discovered that Tesco sold two things I liked at reasonable prices – 35cl bottles of Jura Diurach’s Own 16 year old single malt whisky for £12.95, and had the Lego Monsters series’ Vampyre’s Hearse for £18. I got both and combined the activities (while enduring Midsomer Murders). It’s a lovely, complex and clever model with some cool new bricks I hadn’t seen before. The mechanism for flinging the vampire out through the roof from his coffin is alarming to say the least, and scared the crap out of us when we tested it. I’m now off to get more from their sale…

Improv Comedy

What to report? Fisticuffs on Tuesday was wonderfully strange. It always is when you do improv with just the three of you. There’s no check, no balance and no audience to offer any cues. It gets weird, and I love it. We continued with Unspeakable Acts and repeated a play we’d done before which I cannot remember the damn name of. It’s terrible though, I can promise you that much. Being just the three of us gave an opportunity for some excellent experimentation with scenes and playing multiple characters.

MissImp in Action was on last Friday too. It’s a weird last Friday of the month for us as it’s before payday and feels weirdly early. So we only had a smallish but demonstrative audience. I was very happy with the team (Marilyn, Lloydie, Parky, David and Martin) although for myself I felt I only really contributed well in the second half. Oh well, that’s way the dinosaur roars.

I am finding that I’m at my best when I get a chance to expound and spin out a concept or just babble for a while. I enjoy the wild ideation. I need to find an opportunity to do that more. I also want more physical space. The Glee Club is lovely, but the stage is tiny and you really can’t do much in it.

Media Intake

Books

I’m deep into the second of Peter F Hamilton‘s Commonwealth books, Judas Unchained (sounds like an ’80s band) and am utterly thrilled by it. I find it incredibly compulsive and was reading it until I finally turned the light off at quarter to three last night. I did squeeze one book in before continuing the series as a bit of light relief.

Films

We haven’t been back to the cinema since the total clusterfuck that was Die Hard 5 (I can’t even be bothered to use its real title). I love action films – a good explosion cheers me right up. But I also want witty banter, fantastic stunts, a minor orgy of gunplay and really well choreographed fight scenes. Die Hard 5 had about half of that, but without the other half (or a decent plot, characters you gave a toss about or a screenplay better than Twilight) it failed miserably. Very disappointing. I shall return to only watching Die Hard 1,2 (rarely) and 4. My other half has reviewed it… unfavourably.

We finished watching Dexter Season 2 last night (before going on to a terrible Midsomer Murders episode) and I found it very satisfying indeed. The differences between the characters in the show and in Jeff Lindsay’s books are now much more concrete, and I think the TV show has the best of it. I’d just like to thank my Dad for getting us the seasons 1-5 box set for Christmas. We may go on to Fringe season 3 next, but I’ll need to convince my other half of that first…

Events and Excitement

Improv shows

Thursday 14/03/13      Gorilla Burger: Improv Comedy Chaos – The City Gallery, Nottingham

Friday 29/03/13           MissImp in Action: Improvised Comedy Show – The Glee Club, Nottingham.

Once Upon A Time – part 1

once upon a timeOnce upon a time there was a man who lived inside a box. It was not by choice, well, not on the part of the man anyway for who would choose to live within the tight and hard confines of a box? The man went mad, trapped, alive inside the box, its lid tightly nailed down over his screaming face, his hands and feet trapped by his sides (for his feet were removed with considerable brutality prior to his placement within the box). The feel of his putrefying feet may well have been some influence upon his waning sanity, as they slackened and oozed by his fingers and under him, where their lost juices soaked up through the meagre clothes he had been left before his incarceration.

Food and water were pressed down on him through a narrow tube which was slotted into a knot in the wood. If he refused them the water and food came anyway -a greasy layer of filth that accreted over his face and body. His hair rested in the muck and grew slimy and vile. His captor would not let him simply die; his crimes were too great for that. Instead he would suffer for as long as they could preserve his worthless life within the box. But it was not that that drove him mad.

Once upon a time there were three brothers who lived in a house by the river. By the house were huge, broad leafed trees that watched the river rush past, endlessly busy, endlessly alive. The three brothers were jolly, thoughtful men who spent their days tending to the animals, reading, and upon their arts. Many villagers came to them for aid, for their wisdom, their medicine and their company.

One day a man came to their door, desperate and sweating with fear and anger. His face told a tale of despair – his daughters, only eleven and seven, sweet children of golden hair and nature, had fallen into the river and he feared them drowned. The three brothers set out at once to scour the river for his lost daughters. The river was fast and wild that day and the already grieving man declared it hopeless. The brothers were not so hopeless. They forged into the river and set to work with their art, searching the river until the river told them where to look.

The currents had left the daughters cold and dead upon the bank not far from the brothers’ house. The man cried out that he would never more hear their gentle laughter but the brothers said “not so”. With hope and wisdom they carried the girls to their house and warned the man against despair. With medicine and art they revived the youngest girl, but the elder was beyond even their power.

The man’s face grew dark with anger and fear when he saw the girl alive once more. She shivered at the sight of him and cowered from his grasp. The brothers, wise, thoughtful and kind sought to calm the father, though they had now their suspicions. With a knife taken from the brothers’ medicine chest he killed all three. He found himself alone with just the dead elder girl, the younger had fled.

The villagers, to whom he turned listened to his story. When they heard the sad father’s tale of how he had lost his daughters to the river and turned to the brothers for their aid had found them with his oldest, performing unnatural acts of their art upon her frail dead form, they remembered their own dark suspicions, fears and jealousy of the brothers’ sinister charms. The three brothers bodies were hanged from the tree that guarded the gate to their house, in warning and memory. The little daughter was lost, presumed drowned, gone forever.

To be continued next week.

Lego Creations: The Castle Sprawl

It’s A Kind of Castle!

In all honesty, it’s lots of things all at the same time. I got very over-excited with having a new green base plate (just your standard 32×32). It’s been a long time since I had so much space to spread out over. I mainly remember the space sets with the craters and the road segments from being little.

It’s getting difficult to photograph – partly that’s because the kitchen lights are crazily not optimised for taking pictures, and also I’m a terrible photographer. Anyway, as you can see there’s quite a lot to look at here… Down at the front we have a decent knight fight and a lovely waterfall and pool. On the left is a more traditional sort of castle with various mini-figs scrapping it out. That leads up to a pleasing battlement being held by a Spartan, a Viking and a Legionnaire with a decent armoury at the back. That leads down to um, some stuff on the right.

Originally I’d intended the right hand side to be a Mayan/Incan temple because of the awesome mini-fig we got a while ago, but it mutated into an alien temple in the jungle (I watched Indy recently) with a sacrifice slab out at the front. I can live with that.

What’s invisible in the main photograph are the fun little bits inside. Roll out the full photo gallery:

A Cyborg Calls – Part 4 (the end)

Part Four – Do Androids Have Wet Dreams?

A Cyborg Calls
“You know, we’re all different on the inside,” Alex feared he was sliding into cliche but its horrible inevitability drew him on, “that’s what makes us special.” Alex hated that he was spewing the same bullshit his own parents had used as they drove him to the psychiatric hospital, but he really didn’t need an emotional cyborg on his hands. His house was too small for someone that special.
“Special doesn’t tell you what silk feels like, special doesn’t get you friends, doesn’t get you girls….” Simon spat with teenage moodiness.
“In fairness, you don’t really feel silk anyway. Your fingers slide off it. Like a er, soft fridge. Normal’s just trying to fit in,” hearing voices and self-trepanation puts people off, “plus really normal people tend to be boring arseholes.”
“I want to be boring. I want to be liked.”
“I’m sure people like you.” Alex was skating on thin ice; it seemed plausible that no one liked murderous half robots.
Simon just stared at him with those weird mismatched eyes, the blue one went right though him and the red one, well, it just felt like a laser target. It probably was.
“Well, what about girls?” Alex rallied.
“All the girls I know are either family or slaves.”
“Right. Slaves?”
“Not slave slaves. They’re just mindbent. It’s fine. They do whatever you want.”
“Oh.”
Another awkward silence separated them. Alex shook the biscuit packet like he was tempting a wild animal. Simon took three bourbon creams.
“Well, there is this one girl,” he began shyly.
“Great!” (please don’t be anyone I know, or at least someone I won’t miss) “What’s she like?”
“She’s beautiful,” the cyborg crooned dreamily, “and strong and clever-”
“Sounds lovely-”
“-and evil.”
“Less lovely. So what’s her name, how did you meet?”
“She’s Volupine Dementia and she held me captive for a week.”
Fuck. “The Volupine Dementia?” Because it’s such a common name… Volupine Dementia, legendary survivor of the nuclear blast that destroyed most of Sheffield when Alpha Strangemind discovered his powers and went underground. Legendarily insane and as dangerous as anyone in Galaxy Team. The instigator of the Nottingham Massacre, creator of the Cathedral of Sexual Death and reputedly the only person Galaxy Team can’t kill. Of course it’s the same Volupine Dementia, who else would this crazy kid fancy?
“Yeah… when me and Sally (you’d know her as Talon) infiltrated her lair because she was turning everyone in Nottingham into killer lust-zombies. Well, she caught us,” he gave a big goofy grin, “next thing I knew I was chained up and blindfolded and there was this gorgeous girl giving me electric shocks and asking me all these questions. It was wonderful, you know, just really talking to a girl. She wanted to know all about me.”
Alex was struggling to keep the phrases ‘Stockholm Syndrome’ and ‘what the fuck’ out of his voice and off his face.
“We talked for hours. I mean, she’d go off to do stuff with Sally too, but that was just cutting her head off, it wasn’t like our time.”
“She killed your sister?” incredulity was creeping in.
“No, nothing like that. She just took Sally’s head off and stuck it on a sex-eagle.”
“Well, that’s okay then.”
“Eventually Dad spoiled it all by having us rescued.”
“You must have been disappointed.”
“Yeah,” he blushed to a remarkable shade of red and lights twinkled furiously in his cheeks, “we’d been, um, you know, before the Beastlie Boys smashed the door in.”
“Oh. Oh!”
“I’d really like to see her again. I mean, she escaped – obviously.”
“Obviously.” And went on to breed armoured tortoises which she unleashed on motorways.
“But, I don’t know how to get in touch with her,” he looked at Alex with an expression of hope and pleading that even spaniels couldn’t match.
“You want me to… find her?” No, this was awful. Alex could not be a matchmaker for the criminally insane. Simon looked suddenly defensive. Perhaps it was Alex’ tone of incredulity and horror.
“You have to find her!” the lights flared up and the toaster plug ejected itself from the wall.
“Okay,” Alex chirped as the frightfully important kettle began to smoulder, “okay, I’ll have a proper think about how to do that.”
“That’s great. You know, guys like us have to stick together. I’ll be really grateful,” Simon said, earnestness and desperation competing in his throat.
“I’ll see what I can-” Alex was cut off by a roar that passed overhead, shaking the windows and setting off car alarms all down the street.
“I think I’d better go,” said Simon, handing his mug back to Alex, “but we should do this again sometime. Thanks for the tea.”
With a cheery wave and an anxious glance at the light blazing through the living room window, he let himself out the backdoor and hurried away. His garage-crushing craft took off, and raced low down the back road. It disappeared from sight just as Alex’ front door shook under a pair of heavy blows. Sighing, Alex put down the mug and went to answer the door. He was totally unsurprised to find Man Ho-Tujsk glowering at him under the orange streetlight. He sneezed mightily and brandished his tusks.
“Oh hello, I suppose you’d like a cup of tea too?”
 

Will Alex snag Simon’s date? Do cyborgs dream of electric eels? Was that the end? (Yes it was) What happens next?

Find out in a future story!

Read more Galaxy Team adventures

Read more Alex Trepan stories

Book Review: City of Screams by John Brindley

City of ScreamsCity of Screams had been in my stack for a little while and was awaiting a suitable young adult slot. I found it between giant space operas when I wanted a bit of light relief – something short and still sci-fi-ish (a word that is easier to say than type) and not too long. This was perfect. At first I thought I was reading a blend of After Man (Dougal Dixon) and Hothouse (Brian Aldiss) – we have evolution run riot, evolving life into a terribly dangerous world for the descendants of humanity.

The present state of man is the ‘agle’ (a rather nice term to my mind) branching into ‘air-agles’ or angels and ‘ground-agles’ with close sentient relatives in rodent and raptor (more like Moa birds I think) form. The society is barely stable between the city-dwelling agles and the raptors who guard their perimeter. It all goes tits up quickly, and is made much worse when the evangelising army of Humans (or Adults) turns up, preaching the word of Genome and racial purity, denying evolution and being horribly violent and death campy.

It’s a rather heavy-handed allegory of science vs religion but also a pertinent and passionate one. Initially I found it too blatant; perhaps as an atheist myself I find the ardour of the dogmatist so appalling that it made the story and the Genome followers somewhat repellent. I gave it time though, and enjoyed the futuristic view of our evolution in an extreme flux (there are lots of other agle variants, especially once the go on the run). The characters irritated me a little, but I rarely enjoy the self-pity which consumes some of them.

The pay off is pleasing, and I can’t disagree with the importance of the ideas in the story. A good book, and a valuable one for our younger readers. Of course I discovered later that this is a sequel – something entirely unmentioned on the book. That drives me nuts, but I enjoyed the story anyway. Character investment is probably greater if you read The Rule of Claw first.

John Brindley

Get City of Screams at Amazon.co.uk

This week, Monday 4th March 2013

Amnesiaweek

Diving FellowI have very little memory of last week. Curious. Ho hum, I assume it must have either been very busy (which I doubt), or oddly empty. Ah! That’s it, I spent most of the week data cleansing, which is exactly as close to spiritual termination as it sounds. Sigh. Never mind, my mind will return to me (I hope) and all life will continue in its usual chain of accidents and embarrassments.

This week’s scribbles

Tuesday Once Upon A Time part 2

Does this count as a fable? I’m not sure. It’s damn gloomy though.

Wednesday Franklyn de Gashe’s Audio Entertainments

A pair of de Gashe stories for you to listen to.

Thursday The War Alone Day One: Art Class (1 of 3)

How the war begins, for one art teacher.

Friday Film Review: Hansel & Gretel –  Witch Hunters

A short review of terrible, terrible film.

Updates on my thrilling life

Writing

A Cyborg Calls

Woo hoo, A Cyborg Calls came in as a four parter. It was an effort to keep it under five parts, but a brutal edit of the last part fixed that, but good (as they say in movies). I am fairly pleased with the story – I wanted to explore Alex’ odd relationship with Galaxy Team further, and get into some of the other characters who in all honesty I just toss in as names that amused me in earlier stories. I find that’s much how I get through life – do the stuff that makes me chuckle and see if the story winds around it. I hope there were some surprises in the story and that it had a satisfying ending. It is, of course, wide open for continuation…

Last week’s scribbles

Tuesday Once Upon A Time Part 1 Dark urges ravage a small community.

Wednesday Lego Creations: The Castle Sprawl A mega heap of pictures of my Lego castle and all its odd vignettes.

Thursday Alex Trepan: A Cyborg Calls part 4  The final chapter of Alex night time visit.

Friday Book Review: City of Screams by John Brindley A short review of an interesting YA sci-fi novel.

Lego

I’m still trying to figure out what the onomatopoeic word for the sound Lego makes when you rummage about in it should be – shinkle? Maybe. I’ll keep working on that important thought.

This week has been a Lego buying week. Tesco has continued to reduce stuff, and so there has been a late night foray there most nights last week (that’s what I’ve been doing!) Successfully acquired The Werewolf, which has another fearsome minifig launching component, Marvel Superheroes: Wolverine’s Chopper Showdown and the Lego City Forest Police Station. Happy me. We’ve also spotted that the next series of minifigures is due out soon and features amongst other awesomeness a Medusa figure!

I also managed to squeeze and drop a mad scientist lair I was building, exploding it across the living room. Cock. Back to square one. I’m also facing the imminent prospect of having to dismantle Lego sets as I’ve run out of space. Need more shelves….

Improv Comedy

At Fisticuffs we’ve been playing with the Evente, which I wish to spell Eventae because it looks cooler. We’re treating it with our usual disregard for what anyone else says and found it much more fun. We’ve also got a gig to do a special version of Unspeakable Acts (which remains some of the most fun I’ve ever had on stage) for Nottingham University‘s ClassSoc. We’ll be using ancient Greek plays as our base material! I’m really looking forwards to that.

Media Intake

Books

I finished Judas Unchained in ridiculously few days and was thrilled by it all the way through. It’s exactly the kind of space opera I adore. I’m now filling time until I feel I can reasonably pick up his next door stop and continue the adventure… So far I’ve gotten through Lionboy: The Truth by Zizou Corder, it’s the last in the short YA trilogy about a kid who can catspeak and gets embroiled in a complex corporate conspiracy. I’ve enjoyed them although I found the “big pharma” paranoia quite irritating. I also abandoned a nameless book that was too awful to continue reading and now I’m halfway through Jim Butcher’s Turn Coat.

Events and Excitement

Improv shows

Thursday 14/03/13      Gorilla Burger: Improv Comedy Chaos – The City Gallery, Nottingham

Friday 29/03/13           MissImp in Action: Improvised Comedy Show – The Glee Club, Nottingham.

Once Upon A Time – part 2 of 2

once upon a time

Read Once Upon A Time – part 1 first.

Once upon a time a tree stood before a broken cottage and waved its grisly burden in the breeze. Three men hung from a branch, their faces dried and pruned tight, their eyes gone and now ragged holes stared at any who dared to pass by. The villagers avoided this sad corner of their land and it grew dark. Tales of haunting and night whispers kept the people at bay.
One day a traveller came to the village, a tall and beautiful woman. She had no fear of the tree and its burden and lay down to rest beneath its leafy boughs. For many years the corpses had whispered to the tree till their tongues grew black and shrivelled and they had no words left. Now the tree took up their voices and whispered to the woman as she slept. She knew these voices and they held no fear for her, for they had never done her harm. They told her what she wanted to know, where she might find the man she once called father.
The man who tragically lost his daughters to the wild river and the evil sorcerers had flourished the wake of murder and his public grief. He was now the village’s spokesman; important, respected, remarried with a new daughter on whom he lavished his affection.
The young woman had learned something of the brothers’ art and travelled as a healer, offering what help she might. She plied her trade in the village, finding much call for her arts among the villagers. Into every tea she brewed or poultice she placed she used a sliver of bark taken from the tree that bore the dead men’s voice.
The next night the three brothers whispered into the dreams of the villagers, reminding them of what they once were to each other. The villagers were filled with tears and remorse. All except the man who lived in the largest house. He was filled with fear. In the night that followed the three brothers whispered into the dreams of the villagers and told them how the man had killed them and how they had saved his daughter. On the next day the villagers were much affected and many words were hushed as the man passed. As the nights passed and the whispers continued the mood of the village turned against the man they had come to respect.
A week passed and the man’s daughter from his new wife tearfully spoke out against her father. She was not doubted, for all the villagers had heard the truth of what had come before. They were not surprised when the youngest daughter revealed herself and demanded justice for herself and her sisters and for the brothers who had saved her.
The villagers cut down the tree and laid the brothers to rest in the gardens of their house. From the wood they fashioned a coffin for the living – a punishment for the man, and a penance for the villagers. The box they placed in the field behind the village. They cut off the man’s feet that he could never escape and placed him in the box. Its lid nailed down he was trapped, the wood whispered to him in the voices of the three brothers of the things that he had done until he was driven insane by their endless murmurs of his crimes. The sisters took the house of the brothers for their own and continued the good works that had always been done there.

The End.

Franklyn de Gashe’s Audio Entertainments

Franklyn Feels Your Pain

Reading can be a terrible pest of an activity and I entirely sympathise the general indolence that flourishes throughout our community. As a considerate fellow I feel duty bound to lighten your burden by recording a pair of my adventures upon a wax cylinder and fire them through the webspace at you like auditory torpedoes.

The King’s Cross Entertainment

After a spell in the country I returned to the city and immediately delved into its debauched netherworld.

The Simian Entertainment

My attempts to create the perfect servant rather backfire at the club.

I do hope they fill a void within your aching heart, an ache I would be only to happy to cleave from your suffering flesh.

Should you have the gift of literacy and desire to gorge yourself upon words, you may read them below:

The King’s Cross Entertainment

The Simian Entertainment

The War Alone Day One: Art Class part 1 of 3

Part 1

The sound of glass being punched over and over again, like the crunching of teeth. Spatters of blood flying up the window from bruised and cut fists, pooling down the sharp spider webs. Demented faces fractured by the collapsing pane. The only other sounds were far away shouts and screams, and the sobbing rasp of her own breath. Angela was crunched up under the shelf in the art cupboard, surrounded by spilled pens and sugar paper. Her hands shook violently as she clutched the lino cutting knife with the bloody tip. The blood mixed with her sweat and made the handle sticky and slippery.

The cupboard, like every other room on the school’s central corridor had a reinforced glass window. That had been her good fortune.

War Alone_Art Class

At ten o’clock she had realised that the class was going to run out of paper for testing their lino-cut designs out on. God forbid they should actually get something right first time. So she’d taken her keys from her desk, warned them about using the devilishly sharp lino tools carefully, and strolled off down the corridor, swinging the keys cheerfully around her own knife. For all that they couldn’t print an image worth looking at they were a decent class. Fourteen was the age when they turned though, and Angela was determined to get some decent coursework out of them before they became utterly useless.

Whoever, long ago in the mists of teaching time, had determined that sugar paper would be the principal material for capturing the creativity of children was an idiot. Angela would have killed for a reasonable supply of good quality Japanese papers. Admittedly she would then take quite a lot of it home, but it would still be better for the end results. Endless quantities of sugar paper then. Except they weren’t endless, not any more. By the middle of the spring term they’d be almost out as the insane budget ran down. Last year they had only managed because the A Level students got hooked on some really nice cartridge paper from the art shop in town. Some of them even stopped smoking to be able to afford it. So she ought to be parsimonious with the sugar paper. That sounded too ridiculous to adhere to.

With a deft flick of her wrist, Angela spun the keys off the knife and into her hand. The knife went back in a pocket, the key into the lock of the stationery cupboard. As was her ritual she traced out a smiley face in the wireframe of the reinforced glass which overlaid the brightly coloured ‘Art Room Supplies’ sign. She redrew it every year; it was just one of those small things that made her feel more at home at work.

The cupboard was a mess – exactly as she’d left it last time. The usual pretence that she had an artistic temperament wouldn’t cut it in here. It was the only room she could lock and hide herself in, and she’d made good use of it during the school fayre the previous weekend. She and her boyfriend Mark were responsible for at least some of the spilled boxes. It had been a good weekend and the tombola would supply them with enough blu-tack (or at least the white knock-off) to be able to display the GCSE and A Level work this year.

Angela tugged out a thick multi-coloured sheaf of paper and made a token effort to put boxes back on shelves. They were good kids; they’d be alright left to their devices for a few minutes. With luck, only one of them would be bleeding by the time she got back. With a fond glance at the remaining jumble of papers and paint bottles Angela retreated from the cupboard, re-locked it and headed back to class. The school’s corridors were arranged in a simple square with legs radiating out from each corner. The art room was in the back-right leg of the school, the stores cupboard round the corner on the back of the square.

A ringing phone tugged her down the corridor. It didn’t matter how many times they told the kids to turn their phones off they never did. Personally Angela didn’t care, but it was school policy to confiscate the things until the end of the day. They weren’t able to hold them for any longer than that because parents got testy about the school keeping hundreds of pounds worth of electronics that they’d given to their children. Also, someone had broken into the headmaster’s office last year and stolen the iPad and three Blackberrys he’d taken away during the day. Since then it was hard to argue the point. It was a lot of phones ringing she realised. It was shortly followed by a long lingering scream. “Shit,” she said, and began to run. Just her luck, one of the kids had probably cut his thumb off – you just couldn’t get people to cut away from themselves. Her own thumbs, with their scars running from the tips to the middle joint were plenty of evidence of that.

Film Review: Hansel & Gretel – Witch Hunters

Hansel and GretelI have a great love for terrible films. Not the really awful soul destroying ones, but those which have decent low budget:high aspiration or high budget:knowingly silly ratios. I firmly expected Hansel & Gretel: Witch Hunters to be a daft, gory nonsense fest with a few knowing winks to camera and high camp all round. Instead I feel irrationally betrayed. This film is awful, not so bad it’s good, but so bad it is bad and the badness seeps into the wounds in your flesh and makes you suffer.

Where to begin? I’m fine with the concept – Hansel and Gretel left in the woods as kids, preyed on by a witch, they kill her and become full time witch hunters. That’s fine. It falls apart almost immediately as the leads (Jeremy Renner and Gemma Arterton) are apparently playing it straight (mostly) against the rest of the cast who are just chowing down on the scenery. It’s rather jarring.

Not as jarring as the weightless plasticine weapons they tote around or the appalling make up effects for the witches – honestly, the makers of The Evil Dead would have been ashamed to toss the polyfilla-faced freaks on the screen. The witches are just ludicrous cackling things with no character or merit – their wirework looks exactly like the stunt doubles have just been jerked into the air, and the fight choreography is exceptionally poor. Think ‘80s cop TV drama and you’ve got the quality right. I like gore in films, and I like film violence but this film seems to revel in beating up women and killing them. Even Gretel gets beaten up by the sheriff and punched in the face.

The sheriff… initially Peter Stormare’s character is set up as the bad guy and has some potential, but he’s just stamped on halfway through the film (literally). Instead of doing any kind of human or social story line we’re dragged into a predictable and unoriginal plot to make witches invulnerable to fire and some other bollocks about white witches (I won’t spoil the whole film for you – they’ve done that themselves).

Every possible moment of interest or intrigue is ruined by choosing the laziest, most obvious and pointless revelation. Hansel injects himself regularly and gets ill if he doesn’t. He’s diabetic. Because he was forced to eat all the candy in that house where they burned the witch. Get it? Fuck off. A troll (apparently made of foam rubber) helps out Gretel but “trolls work for witches” so… oh my god she must be a-“. Yeah. Oh and there’s a handful of other red shirt characters and main characters you can’t possibly care about too.

There must have been something of merit in there… I quite liked the intro credits, until they stopped to allow the film to proceed. The end, when there are lots of witches around is like they’ve dug out all the rejects from Jabba’s Palace in Return of The Jedi. They’re okay. They all get killed by a massive gatling gun, including the Siamese twin witches and the paraplegic one. So that’s a waste. There’s a glimmer of a more fun film right at the end where they take their witch hunting crew off around the world, but by then you’ll want them all to die anyway.

I could rant further, but it’s making me remember too much of this atrocious mess of a film. How can I quantify its badness for you? It’s worse than Van Helsing (which I liked because it has a sense of fun), it’s worse than Season of the Witch, worse than Abraham Lincoln: Vampire Hunter; it’s better than Revenge of Billy The Kid. Don’t watch it.

[youtube http://www.youtube.com/watch?v=9246msCh7x4&w=560&h=315]

This week, Monday 11th March 2013

Hunting the Bastard Fish

Bastard FishMaybe it’s just the time of year – the darkness hasn’t yet left us, and the promise of summer and light is still just that, a promise that may never be fulfilled – and I find myself struggling still. I know my Dad often puts the gloominess of this part of the year down to SAD-like symptoms, as do quite a few other people I know. I’m not sure; I’m usually happiest inside anyway, I have no particular love of being outside; I’m an indoor bunny.

It is still trying to snow, her white flakes blustering past against the dark of night always give me a bright internal smile. I imagine the world smothered and silent in that soft deadly blanket and it gives me a calmness inside. So I like the apocalypse, it has an enormous appeal – not necessarily surviving it for long, but just a few months after everything else is gone. Can you imagine the peace?

This week’s scribbles

Tuesday Shankopalypse – The End of Angry Poetry

Expressing stress through verse. It sometimes works. (not the last poetry edition, I promise)

Wednesday Pulp Pirate 14

Franklyn de Gashe pops up on Flash Pulp’s FlashCast once more.

Thursday The War Alone Day One: Art Class (2 of 3)

When the phones start ringing it’s time to start dying.

Friday Book Review:The Commmonwealth Saga by Peter F Hamilton

A review of Pandora’s Star and Judas Unchained.

Updates on my thrilling life

Writing

once upon a timeI’m stumbling around in the dark in the mornings, but I’ve got a trip to London this week so I aim to devote my travel time to yarn spinning. I’ve been tidying up a couple of multi-part stories, which still need further tidying. I need more one-shot tales as well – I’m going to have to impose some discipline upon myself again. I was quite pleased with the different voice I employed in Once Upon A Time. It felt a bit darker and more fairy tale like than I’d usually write. I’d also have to confess that the superb The Sad Tale of The Brothers Grossbart was high in my mind when thinking about that kind of story.

Last week’s scribbles

Tuesday Once Upon A Time Part 2 The bad fairy tale concludes with death.
Wednesday Franklyn de Gashe’s Audio Entertainments Two recorded de Gashe tales for your ear pleasure.
Thursday The War Alone Day One: Art Class (1 of 3) How the war begins, for one art teacher and her class. 
Friday Film Review: Hansel & Gretel – Witch Hunters A short review of the truly dreadful new film.

Lego

Genie FriendsJoy and excitement. I’ve been following The Brothers Brick with great interest as they post up some of the best Lego models from the world of Flickr and beyond. The detail and technique displayed in many models utterly confounded me until I started to read further. There are such things as Advanced Building Techniques. I found a great guide to them online (see the link below). It has tonnes of maths in it – the ratios between different bricks and their sides provide a platform for building unusual shapes. I’m especially enamoured of SNOT – Studs Not Out Technique, which can leave a beautiful polished shape quite unlike how Lego often looks. It does use and require a huge number of bricks. I may finally have to order some specific bricks to accomplish what I want.

Advanced Building Techniques

In case you’ve somehow not seen Alice Finch’s enormous Lego Hogwarts: check it out now.

You may not have spotted Lego for girls out there, or Lego Friends as they call it. The new mini figures (all girls) are a bit taller and have the suggestion of chest bumps, so they must be girls, and there’s an adorable range of mini animals out with them too. Most appealing are the new colours – pinks, purples, mustard yellows and blues that are presumably designed to appeal to girls. I like them too. I’ve been collecting the mini sets and had fun fiddling with them while watching Dexter this weekend. They made a nice little environment for the genie minifig.

Improv Comedy

Not much to report this week, we had a quiet Fisticuffs on Tuesday. We’re playing with Evente still and found it slightly more straightforward with just the four of us. Much of the difficulty feelsl ike it lies in the single opening scene which needs to be quicker and shorter, otherwise when we return to it later we are just repeating ourselves rather than expanding it into something new. We need to practice 5 and 6 person scenes where all the work is done with no more than two or three lines each. That reminds me of the Unspeakable Act from last week which featured privatisation of prisons and contract tendering to a ludicrous degree, such as the renting out of our single prisoner’s mind. It ended with the prisoner (Ben) being driven insane by an outsourced group of singing psychiatrists. Lovely. This week’s was equally odd, based on a Greek play and revolved around cannibalism and a blind seer (me).

Media Intake

Books

I inhaled the last two Dresden Files books I had – Turn Coat and Changes in just over a day each. A naughty pace but my god they are satisfying stories to read and enjoy. If you haven’t read them but enjoy a spot of paranormal detective fiction these are amongst the best out there. I’m now eyeball deep into The Dreaming Void, which follows on from the Commonwealth Saga (well, 1300 years after). The Works sell books, so we picked up seven there yesterday. The highlight for me was Cory Doctorow‘s Makers which will get added to my birthday heap, also one of the H.I.V.E. series which is fun Bond-ish young adult fluff. We got a bunch of things for The Lady M too: a Susanna Gregory, some Sherlockian nonsense and a great collection of vintage posters, including one for Monte Carlo featuring a couple surfing on Nessie; they are odd.

Films

Oz The Great And Powerful – I was happily surprised by how much I enjoyed this. I love Sam Raimi‘s early films, including Spidey 1 and 2, and this was equally filled with his sense of fun in direction and editing. Stylistically it has the same feel as the original The Wizard of Oz in the visial richness and slightly mannered performances, and a similar lack of complexity in the story. It was lacking something, but I’m not sure what. I suppose Oz is essentially for kids, but unlike most recent young adult fiction it lacks punch and the understanding that whatever darkness might appeal to an adult will also appeal to a child. I imagine lots of people really will not like the film. I adored the intro credits, which offer optical illusions and (sadly) CGI black and white zoetropes and the like. Very cool. It’s also nice to see that midgets are still in films purely for comic value.

Side Effects – a splendid, subtle little thriller that squeezed a very good performance out of the usually irritating Jude Law. There’s nothing especially original here, but the execution really elevates it. Rooney Mara is excellent and I found her portrayal of severe depression very affecting personally. Of course I can’t entirely give away the film, but that emotional investment left me feeling… odd afterwards. Good film.

Music

Very rare this segment. I’m not terribly aware of music, although I do listen to it in the shower and occasionally when writing. The last wave I music I truly loved was Trip Hop, and that’s a way back now. Nonetheless, this weekend I enjoyed The Baseballs and their ’50s American style covers of frequently terrible songs (Candyshop is a notable hit) – I very much enjoy their version of Natalie Imbruglia’s Torn:

[youtube http://www.youtube.com/watch?v=tg-Ny_KeMCo&w=560&h=315]

Events and Excitement

Improv shows

Thursday 14/03/13      Gorilla Burger: Improv Comedy Chaos – The City Gallery, Nottingham

Friday 29/03/13           MissImp in Action: Improvised Comedy Show – The Glee Club, Nottingham.

Shankopalypse – The End of Angry Poetry

Shankanalia 2

The End is Nigh, or at least it feels like it is a lot of the time. The end for me, preferably the end for you. If we both go down that’s at least a 50% win, and most days that would be good enough for me. I’m not greedy or selfish, I’ll take my share of the pain if it will take you down with me.

Follow @shankanalia on Twitter for irregular poetic updates.

Shankopalypse – The End of Angry Poetry

Mandatory Voluntary Participation
You’re here today because you wanted to be
Uh…
Don’t interrupt
We’re here to talk to you
Uh…
Shush now
It’s important that you listen
Uh…
The end.

Straight Talking
Please, ask a question
We’ll give you an answer
Not the answer to that question, no
But the question I imagined in a dream…

Teamwork Part Two
Stop dying:
I’m trying
To do a thing
And I can’t
Because you’re crap.
Your insistence on failure
Is causing me pain.
I ought to return it,
Pain.

A Contribution To The Debate
The bright day of doom
Dawns on the unevolved man-beasts
Prowling the town in search
Of food or hope.
Notttingham rocks;
Mansfield doesn’t.

The Power of Advertising
Let’s be clear
Having a child read
Your cynical bullshit spiel
Makes your product
Ever more hateful
Plus I now want to cripple the child.

DIY
I want to dismantle you
With a hammer
And a staple-remover,
Reassemble you
To perform some function
More useful:
Maybe a box,
Or sausages.

Your English Is Excellent
Spam-tangling fucknonic moron,
Spaz-bangled fucktittery
Tossing belly grue
As if it helps.
Gargled verbal abnouns;
You gibber primevally.

More of The Same

Pulp Pirate 16

Flash Cast 79 – Waste Core

I’m endlessly delighted to contribute to Flash Pulp’s excellent Flash Cast; I really feel as if my own brand of pulp fiction has a home there. This week (I may be a few behind) they’ve included another Franklyn de Gashe tale (I had a recording spree where I could do the voice), The Recreational Entertainment which is about a man with a vivisected chair on the rampage.

It fits surprisingly well into the pulpy chatter (Tolkein, racist Germans, drug money, Rambo) and with the other segments for game and podcast reviews, disturbing news and darkened corners of history. Share and enjoy!

Listen to it now: 

FC79 Waste Core

http://flashpulp.com/
http://skinner.libsyn.com/rss
http://itunes.apple.com/podcast/flash-pulp/id367726315